Gallery Space

Gallery Space…Cathy Gray Ink Work and Sabi Design have collaborated with Castle Prestige on Glen Osmond Rd. No doubt if you drive down Glen Osmond Rd you have already eyed our work. The huge windows facing the road, showcase our work beautifully. In January my sister introduced us to Grant, Luke and Yanni to see if we would like to collaborate. The space although filled with stunning cars had empty walls beckoning for something. Our large scale pieces work perfectly in the space and hold their own against the equally impressive cars.

Our art is shown exclusively both downstairs and upstairs. You are welcome to head in and have a look around, Luke and Yanni will show you around. If you are looking for a more personal tour then we are happy to meet you there. If you are an interior designer or builder, we have a beautiful space with board table for you to bring your clients to view our work. Over the next few months we will continue to interchange the art, providing you with something new to look at whilst you are driving to and from work.

Opening Night

Opening Night… Friday evening the 12th saw the opening of our new gallery space at Castle Prestige and was attended by 100 guests. Jeremy Cordeaux radio personality opened the evening. Nick Baranikow, Master Auctioneer auctioned two pieces of art raising funds for The night was made even more special with 3 very special guests in the form of collectable cars. The 1979 E-Type Jag once owned by Dolly Parton, in which I had a very Thelma and Louise moment in, Jack Brabham’s 1959 Formula One World Championship car and the Porsche GT3. Catering was from Amazing Grazers A very special evening and enjoyed by everyone.

Workshops with Cathy Gray

Give yourself the gift of time

Learn about the Mandala and its benefits in your day to day life during my workshop

I regularly hold workshops in my studio in Bridgewater, I created this space especially for my workshops it is calm, quiet and you will find that your busy minds will begin to slow once you enter.

I offer group, private and private group workshops. Maximum participants is 12.

During my workshops you will learn how to create your own mandala.   Together we start from a blank sheet, a dot in the middle and from that same point we will create something so individual, a representation of us and our inner self.

We will express our thoughts and feelings through art. That there is no right and wrong there is only what is.  The class is not about getting our mandala “done” it is truely about the process, the finished product is in the future and we are creating in the present. As you begin your mind will begin to focus allowing outside thoughts and worries to leave your conscious mind.  The use of a grid and repetition allows our minds to fully focus on the mandala.

After the workshop you will be invited to join my Facebook group where we can continue to work together. My motif sheets are available here and if you get stuck I can continue to help you. Follow up zoom workshops are also available if you feel you need a bit of extra time.

You will find dates for my upcoming workshops here

Mandala Wall Mural. With Covid restrictions and venues in shut down I decided to embark on my own workshop space. So I am redesigning my garage to host workshops from home. My home is only 10 years old and my double garage seemed like a wasted space. With a new paint job and carpet tiles, the space started to come together and the big blank wall was the perfect place for a giant Mandala mural. I must admit I have a new admiration mural artists. Unlike paper where I spin my paper to draw I had to spin and contort my body instead…..ouch. Im excited to say the space is nearly ready and I will start workshops in Bridgewater in the Adelaide Hills very soon.

For upcoming Workshops click here

Follow my workshop progress on Instagram


Enjoy a deep focus, or concentration so deep that you lose track of time – welcome to the world creating mandalas.

Join highly acclaimed art teacher Cathy Gray from Cathy Gray Ink Work Art as she guides you in creating your own mandala art works.

No prior art experience is necessary; all that you need is a sense of discovery and an interest to create.

You will also immerse yourself in guided meditations, nourishing food, yoga, nature and time just for you!

Discover the artist within!

In all retreats we explore practices that are useful in both the retreat situation and in everyday life.

We aim to teach in a way that allows you to apply the experiences and understanding of meditation throughout your life.

Everything is take care of at a Lifeflow retreat.

Early bird 10% discount applies if booked before Thursday 23 July.

Thank you for inviting me to talk today. If you are driven by creativity it is a part of you and it feeds your soul so the first thing I would say is don’t deny that part of you. Being creative can be applied to so many careers but if it is visual art that is your career choice then It’s a marathon, not a sprint. Adelaide uni offer a bachelor of art or you could look into the Adelaide Central school of art. I did neither and pursued veterinary nursing and then on to sales. Definitely the sales experience has helped me as well as the practice management side It can take years to develop your style, there will be many many hours spent alone questioning your ability and getting knock backs so you will need a thick skin your art won’t be everyone’s cup of tea but that’s ok because it will be someone’s.Being an artist means being a business owner learn as much as you can about running a small business. Don’t rely on income from selling your art to survive. Think of ways to create on many different levels. For me that meant teaching, I currently teach school incursions from years 2 to 12. I also hold group workshops for adults, corporate workshops for businesses and private workshops. This supplements my income. It also allows me to share my passion and helps nurture up and coming artists. You are fortunate in a lot of ways that you will already know about marketing through social media. This opens you and your art to the world but it also makes the competition huge. For me that meant being the best at what I do. When starting off I think its important to experience different styles and mediums, mimic, be inspired by other artists but only do so to find your own style and strengths, once you have found that then stick to it and make it great. I highly recommend finding a mentor who can show you the road ahead, learn from their mistakes and listen to their guidance. Most artist love to share their knowledge. I belong to a group of female artists and we meet up once a month we talk about being creative, how to get better and we share our triumphs and our knock backs. What I wish I had known as an artist just starting out is that rejection is simply part of the profession. Don’t let this sway you or discourage you, gallery’s do not accept a lot of art styles and you do not need galleries to survive or be recognised as a good artist. Through websites and social media you can sell direct to the collector. Knock on doors, send emails, make noise, enter competitions, don’t be afraid and believe in what you do.|il0qp

When I was asked to participate in ‘Bats for Will’ I jumped a the chance.

Robyn From Ballara

Well, yesterday was our final day of our month-long Warooka Bats for Will exhibition in Baker Bros. Gallery, located in the main street of our small town, Warooka. We’re so delighted to let you know that you’re part of a $8000+ fundraising effort towards the partnership of YP Leisure Options and Willo Industries. A most genuine and excited thank you to each and every one of you.

Ange Clarke – Willo Industries

Warooka Bats for Will supporters – YOU have helped us create not only a new benchmark standard and model of how we go forward with our Bats for Will exhibitions journey throughout rural Australia, but even more importantly, you’ve created a new level of awareness that I (Ange) and Willo so desperately work hard to achieve. Please do not ever doubt how deeply impactful a small, committed and passionate group of people can be, in creating vital awareness that absolutely transforms the lives of those around them, living with disability.

This awareness-building leads us to genuinely comprehend a fundamental fact; people don’t suffer from autism or suffer from a disability, people live with differences and so when you think of people like Will, he’s not suffering from the way he is – he suffers from the way he is perceived, he suffers from the lack of choice he is given, he suffers from not being seen for who he is and what he can do in his life.

In our two short years of Bats for Will, we have never seen the level of creativity, the level of community-mindedness or the level of inclusion displayed to us, whilst working with the Southern Yorke team (that is, the incredible humans involved with YP Leisure Options, Ballara/Baker Bros. Gallery, St Columba’s Memorial School, Warooka School and the generous and diverse artistic community). I say this with tears of gratitude in my eyes. A mural of Will looking out over Marion Bay is a huge part of our new Willo HQ – a small visual display of how this small but significant region has deeply touched our hearts.

So YP Leisure Options now refurbish cricket bats that go ALL around Australia, building more awareness, resulting in so much more understanding around the importance of choice, purpose, belonging and connections for those living with disabilities. Really, the beautiful works of art are just a conduit to opening doors to awareness, purpose, new friendships and all-round richer lives for the whole community.

The money raised from Warooka Bats for Will will help create a more inclusive and suitable space at YP Leisure Options, so that exciting and diverse activities and purposeful works can come from this capable and courageous group of people who meet, work and volunteer in Minlaton.

I’m constantly reminded that it’s not what happens to us in this life but how we respond, that matters most. If we choose to use our talents to help others, and choose to be more kind and compassionate to those who need our help, then we’ve all achieved the goal. The $8000 that you have helped us raise here in Warooka…it empowers us to keep making lives better.

With nothing but love, Ange

Each of you have either created, purchased outright, or successfully bid for a work of art, via the month-long silent auction. Over the next few days, you will receive an email from Robyn, with bank details for payment (for those who are yet to pay for their new bat/s) and instructions around collection of your beautiful Warooka Bats for Will artwork. Postage for those who cannot collect is possible at a cost of $20 per bat.

Thank you again, for making this beautiful journey towards awareness and purpose in our community and beyond, such a success.

Check out the Warooka Baker Bros Top Shop Gallery

The legacy of a historic tree that once stood sentinel alongside the studio of renowned local artist Hans Heysen has been preserved in ink.

Hills artists Cathy Gray of Bridgewater and Karen Judd of Hahndorf have made prints of the cross-section of one of the pine trees, known as the guardians, that formerly surrounded Heysen’s studio at his Hahndorf home, The Cedars.

Estimated to be as old as 150 years, the pine tree was felled about two years ago because it was at risk of falling on the studio.

Ms Gray said the prints preserved the story of the tree and the people who enjoyed it.

“You have to think back to everything that’s impacted the tree – how nature’s impacted it,” she said.

“Whether it be bugs that have embedded into it, the soil, drought … you’ve got to think, all those families that sat under that three and their stories.

“These trees were known as the guardians of The Cedars, so (Hans Heysen) would have sat in his studio and painted and (it would have) given him inspiration.

“His family of eight children lived here so they would have had picnics underneath there.”

An established artist, Ms Gray met Mrs Judd through Hills sport and the pair began experimenting with taking prints from trunk cross-sections about 18 months ago.

But it took them about six months of “trial and error” to before they perfected the art.

They only take prints from trees that have already been felled or fallen down and the process involves taking a cross section of the trunk, planing and sanding it back and burning it to enhance the tree rings before covering it with ink.

They then use pressure to lift the print onto canvass or paper.

They take 10 prints from every tree, spaced over a period of time, and Ms Gray said the wood often changed slightly in the intervals between

prints, meaning no two prints were ever the same. The Heysen tree has a special significance for Mrs Judd, whose grandmother’s adoptive parents owned The Cedars before selling it to Hans and Sallie Heysen in 1912.

But Ms Gray said there were a range of reasons that a tree print may be significant.

“They all have an amazing story with them – this is a tremendous story being a Heysen piece – but we have other pieces too that also have great stories.

“Trees have been planted in memory of people … people plant trees when babies are born – there’s lots of reasons trees get planted, so they’re really nature’s footprint.”

One of the prints of the Heysen tree will be on display at The Cedars throughout March.